Saturday, March 19, 2011

get jiggy with it

When the students dance, they dance. Three drums in the center, a tall skinny one, a medium sized one, and a wide, fat one that's barely off the ground. Three different beats, coalescing into one rhythm, one movement.

A multicolored wrap from chest to knee circles each body. A ruffled cloth hangs down from behind the waist. Their shoes are off, the ground is hard and dusty underfoot. The medium sized drum begins, establishing the beat and so the type of dance. The faster the beat, the more the girls move and jump and bob. the other two drums join in. by this time, the dance is established. A leader has emerged from the group and directs the rest of the group where to go and what to do. Form a line here, now circle around the drums, now break into two. If one was to watch only the upper torso, the dance might look commonplace, rather reserved even. But the hips and the feet tell a different story. The bare feet pound the earth in unison. Two steps here, one there, jump, now back together. As they slam back to earth, the dust rises. It's an ankle high fog at first, but the dance continues. The fog rises, and soon, the cloud of dust is part of the dance, commanded up by the drums. All this time, hips flay in wild ecstasy. The ruffled fabric vibrates back and forth at a quickened, continuous rate, the multicolored wraps and fabrics blending into one wave of sound.

It's emotion. Some of it is scripted and directed by the leader, but the looks of happiness on the girls' faces reveals the truer tale, a tale of losing one's self to a higher feeling. Why is it they take so much pleasure in dancing, I wonder? Why is it they're able to revel in the heat and motion of the drum when so many other people, who are seemingly more "well-to-do" than these students, just aren't? I wonder what it is they're celebrating exactly. i mean, I know the purpose of the occasion, but what's the origin of the emotion? Where is this joy coming from?

Before a while, the dancers exit. The leader comes back into the center, and in one final beat, dictates the drums when to cease. Under the setting sun, the dancers have sweat and grown tired. But oddly, I get the sense that it's for us, the spectator's sake, that the dancers have stopped. I get the feeling they could have kept going, gone on into night in fact. But they concede for our sake. I guess I could write that when the drums stop the dancers snap out of the hypnotic trance and back into reality. Perhaps though, they've been in reality this whole time.

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